AVCHD to Avid MC – AIC Converter-Import AVCHD/MTS to FCP/FCE/iMovie http://mts-to-aic-converter.com AIC Converter,MTS to AIC,MTS to iMovie,MTS to FCE,MTS to Final Cut,AVCHD to AIC Converter,AVCHD to Final Cut Express,import AVCHD files to iMovie,MTS to ProRes,MTS to Final Cut Pro,MTS to FCP X,AVCHD and Final Cut Pro,Log and transfer MTS to FCP,edit MTS footage in iMovie,FCP transfer MTS files,transfer AVCHD files to iMovie Thu, 22 Dec 2016 06:46:18 +0000 en-US hourly 1 https://wordpress.org/?v=4.6.1 How to Edit Panasonic Lumix GH3 1080/50p AVCHD recordings with Avid Media Composer http://mts-to-aic-converter.com/edit-panasonic-gh3-1080-50p-avchd-with-avid/ http://mts-to-aic-converter.com/edit-panasonic-gh3-1080-50p-avchd-with-avid/#comments Tue, 29 Jan 2013 05:49:48 +0000 http://mts-to-aic-converter.com/?p=456

Continue reading »]]> Have you ever met the similar issue? And do you know the reason? Have you find what is the best way to solved the problem and get Panasonic GH3 50p AVCHD to Avid Media Composer? The Media Magician will help you.

Panasonic Lumix DMC-GH3 Reviews

They are really pushing the combination high-quality still and video in one camera. They have really helped their cause by adding a headphone jack for monitoring to the camera along with a flip-out 3-inch LCD screen. This is the cheapest camera available to offer this feature.

The Panasonic GH3 once again focuses on video as much as photo performance. From the specs we can see that the new Lumix DSLR records at much higher bitrate video. AVCHD capture is now at up to 1080/50p. However, the big news is a QuickTime mode that records at 1080/24p, 1080/25p or 720/50p using an unusually high 72Mbit/s bit rate and all-intra compression. Unlike normal AVC compression, this describes each frame from scratch rather than updating areas that have changes since the last frame. It should give less compression artifacts than the heavily compressed AVCHD output from the GH2, particularly for fast-moving scenes. QuickTime 1080/50p capture is at 50Mbit/s, and while it doesn’t use all-intra compression, it should still give better results than the GH2’s 24Mbit/s maximum bit rate. It supports several video recording formats:

  • H.264 MOV: [Full HD] 1,920 x 1,080, 50p, 25p, 24p; [HD] 1,280 x 720, 50p
  • AVCHD (MTS/M2TS): [Full HD] 1,920 x 1,080 50p/50i/24p
  • MP4: [Full HD] 1080 25p; [HD] 720 25p; [VGA] 480 25p

The 1080/50p shooting mode brings Full HD 1920x1080p video with best possible quality, but it could be a problem if you’re working AVCHD footage in Avid Media Composer. Avid does not support the 50p footage. So far I am still not able to import the 1080/50p from my Panasonic DHC-TM900. But still the 50i AVCHD is very good to see on a 42 inch plasma screen.

Here’s a solution for importing 1080/50p to Avid with the help of 3rd-party app Pavtube Media Magician for Avid, a nice camcorder assistant manager and AVCHD editor. When serving as an intermediate decoder, the software can convert 1080/50p AVCHD .mts/.m2ts video into Avid DNxHD .mov format, which is naturally supported by Avid Media Composer.

How to get Panasonic GH3 1080/50p video into Avid DNxHD .mov format?

Step 1: Import AVCHD clips from Panasonic GH3 to Media Magician.

Connect your camera with your PC and launch Pavtube Media Magician for Windows (If you work on OS X, get Media Magician for Mac). The app will automatically detect your camera and ask “Camcorder is connected. Are you ready to launch wizard now?” Click “Yes” to confirm. Select the 1080/50p video files you’d like to import to AVID, and then press “Start” to import AVCHD to Media Magician library.

Step 2: Organize and edit Panasonic GH3 1080/50p videos in timeline.

Drag and drop the AVCHD videos to timeline for editing from library. Here you can remove unwanted .mts/.m2ts clips, trim out unwanted frames from specific clip by frame-accurate, and put them into the right order for merging. Use the scissor icon to do frames trimming.

Step 3: Choose “Output” on the top of main interface to switch it to output interface.

In output interface you can set intermediate codec for editing software as well as common video format (AVI, MKV, MP4, MOV, MPG, etc) for compressing AVCHD.

Step 4: Choose Avid DNxHD codec as output format.

For importing Panasonic GH3 1080/50p video to AVID, follow the steps to set Avid DNxHD preset:

1. Move your mouse to “Editor”, click on the tab.
2. Select “Avid Studio” group.
3. The default output format for AVID is “Avid DNxHD 720p(*.mov)”. To export 1080p full HD video, just select the “Avid DNxHD 1080p(*.mov)”from the drop-down list of “Format” bar. Set higher bitrate for better quality if necessary.

Step 5: Convert Panasonic GH3 1080/50p videos and export best format for AVID Studio

Press the plus sign (+) to add task for conversion. Select the task(s) and click on the triangle sign to start encoding Panasonic GH3 1080/50p videos to Avid DNxHD MOV.

After conversion you can refer to this post: How to Import Media contents to Avid Media Composer naturally without rendering/encoding.

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Compatible Panasonic G5 files with Mac-Especially iMovie, Avid MC and Apple Final Cut http://mts-to-aic-converter.com/compatible-panasonic-g5-files-with-mac-especially-imovie-avid-mc-and-apple-final-cut/ http://mts-to-aic-converter.com/compatible-panasonic-g5-files-with-mac-especially-imovie-avid-mc-and-apple-final-cut/#comments Thu, 30 Aug 2012 10:05:01 +0000 http://mts-to-aic-converter.com/?p=253

Continue reading »]]> Summary: Do you want to solve the Panasonic G5 and iMovie/Final Cut Pro/Final Cut Express/Avid Media Composer compatibility problem on Mac 10.8/10.7/10.6/10.5? This short article will tell you the most simple way, you only need to transcode Panasonic Lumix G5 1080/60p AVCHD to AIC MOV for iMovie and Final Cut Express – G5 AVCHD to ProRes 422 MOV for Final Cut Pro – G5 AVCHD to DNxHD mov for Avid Media Composer via using Mac Panasonic AVCHD Converter. Finally, you can import the converted G5 1080/60p AVCHD files to iMovie, FCE, FCP, Avid MC for editing on Mac Mountain Lion 10.8.

Panasonic Lumix G5 Introduction

Panasonic has launched the LUMIX G5 in 18th July, 2012. A new standard in digital single lens mirrorless camera image quality, with a new 16.05-megapixel Live MOS sensor; the Venus Engine VII FHD image processor; and an ISO range of up to 12,800, the LUMIX G5 provides stunning image quality, even in low-light situations. With highly precise, light speed Auto Focus and six FPS burst shooting at full resolution, you’ll never miss the perfect shot; With the in-built Electronic Viewfinder You can frame the perfect portrait with your eye close to the camera, while the 3.0-inch free-angle touch LCD screen means you can take shots from above your head and below your feet with perfect clarity.

For more information on Panasonic, its brand and commitment to sustainability, visit the company’s website at panasonic.net/

If you have got the Panasonic Lumix DMC-G5 in hand and tried to shoot with it, you will definitely be surprised by the fantanstic photo and video performance since you can get the great image quality, sharp details and excellent resolution and color production. After showing off your Full HD videos, you will be disappointed when you want to import Panasonic G5 1080p AVCHD footages to iMovie/FCP/FCE/Avid MC and find all MTS files are greyed out, which means that iMovie can not recognize your MTS files.

What causes makes iMovie/FCP/FCE/Avid MC and Panasonic G5 AVCHD does not compatible?

After testing, we found the 1080p AVCHD recordings from Lumix DMC-G5 can’t be surpported well by FCP/FCE/Avid MC/iMovie (include iMovie 8/9/11), especially 50p clips.

Firstly, the recordings with the codec H.264/MPEG-4 are highly compressed for saving storage space and smooth playback, but the H.264 files are not suitable for editing, so editing H.264 MTS files in FCP/FCE/Avid MC/iMovie is always a headaching problem for editors.

Secondly, up to now, FCP/FCE/Avid MC/iMovie can not always successfully recognize footages at 60fps. So if you want to put 1080/60p files to FCP/FCE/Avid MC/iMovie, you will sometimes meet the importing problem.

How to solve the importing problem without any loss of original quality?

To sovle the importing problem, the first thing you should know is that the Apple InterMediate Codec(AIC) is the best codec for iMovie 8/9/11 on Mac Mountain Lion 10.8, So you need a professional Mac Panasonic AVCHD Converter to convert Panasonic G5 1080p 50p/60p AVCHD to AIC MOV for editing. Here recommended the best Mac Converter – Pavtube MTS/M2TS Converter for Mac, applying which you are not only able to transcode 1080/60p AVCHD files to 1080/30p MOV files with AIC/ProRes/DNxHD codec, but also capable of combining several clips into one for easy importing/editing in iMovie/FCP/FCE/Avid MC, trimming videos, adding text/image/video as watermarks to your original files, replacing audios, adjusting brightness/contast/saturation of the imported files, etc.

Free Download Mac Panasonic AVCHD Converter

If you want to know detailed conversion step, please view:

For Final Cut Pro Users: please view “Convert AVCHD to ProRes 422 MOV for Final Cut Pro

For Final Cut Express Users: please view “Make MTS footages editable in Final Cut Express

For Avid Media Composer Users: please view “Get Avid Media Composer working with AVCHD MTS footage

Well, you can have a try.

Happy Every Days!

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