Continue reading »]]> Summary: When you didn’t get correct structure of your AVCHD footage, then how to open and edit your single .mts files in FCP and Premiere Pro without problems? Fortunately, there is an easy way to fix the issue. Let’s find it out here.

Adobe Premiere can edit natively with MTS files, but it doesn’t work well at all if you do this. And I couldn’t transcode them with FCP 7 as the original directory structure from the camera had been lost. This is why I need a third party tool to help me. To get my Final Cut Pro and Premiere Pro working perfectly with AVCHD .mts files, the best way is to convert MTS to ProRes MOV when is perfectly work with FCP and Premiere Pro. Read on to learn details.

The reason that I can’t sucessfully ingest the single .mts videos to your non-linear editing systems is simple. In fact, Final Cut Pro/Premiere Pro is very picky in importing videos. One can import AVCHD files on Mac directly from a memory card (with the original file structure in place), or from a camera archive, but can’t import them by selecting the single .mts clips.

That’s is to say, if your card structure is broken and whatever reason it doesn’t come across intact, you can’t directly load your mts files onto your FCP and Premiere Pro. In case that FCP/Premiere needs a correct folder Structure so if you have to, transcoding the MTS to Prores with a 3rd party app is a feasible workaround. They you will have no requirement with ingest supported with additional software and no use camera archives method.

Here I would like to share this usefull MTS Converting program – Pavtube MTS/M2TS Converter for Mac is recommended for you, with this you can achieve the individual .mts to Prores conversion. No matter the AVCHD files are single .MTS files or directly from your camera, you can transfer it to FCP/Premiere compatible formats and directly import it to FCP for easy editing.

Goode News! Now buy MTS/MTS Converter for Mac, you can free get a FLV/F4V Converter for Mac on Pavtube 2013 Thanksgiving Giveaway

Plus, this Mac AVCHD converter also supports converting AVCHD MTS footage to iMovie, Avid Media Composer, Final Cut Express and more to meet your needs. These output formats are specially presetted, so the conversion quality is guaranteed, you can get lossless video conversion with this tool. Now, download it and follow the step-by-step guide transcoding single .MTS/M2TS to Final Cut Pro/Premiere Pro.

Step 1. Run the nice AVCHD MTS Converter on your Mac and load mpg clips to it by clicking “Add” button. There are two ways for you to import files: add video directly and add the entire folder.

The software supports batch conversion, so you can import several videos to it one time.

Step 2. Click “Format” bar and then move your pointer to “Final Cut Pro > Apple ProRes 422 (*.mov)” as the editable format for Final Cut Pro and Premiere Pro.

Tips:

Here listed the main difference of the five ProRes codecs.

a. ProRes 422 (HQ): offers the utmost possible quality for 4:2:2 or 4:2:0 sources and provides target data rate of approximately 220 Mbps and higher quality than Apple ProRes 422;

b. ProRes 422: provides target data rate of approximately 145 Mbps and higher quality than Apple ProRes 422 (LT);

c. ProRes 422 (LT): provides roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) and higher quality than ProRes 422 (Proxy);

d. ProRes 422 (Proxy): provides roughly 30 percent of the data rate of Apple ProRes 422 and high-quality offline editing at the original frame size, frame rate, and aspect ratio;

e. ProRes 4444: offers the utmost possible quality for 4:4:4 sources and roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ).

Step 4. You can click “settings” to customize the output parameters, adjust the resolution, bitrate as you want.

Note 1: You are allowed to adjust output video and video parameters. However, if you have no idea about profile setting, keep it as original recordings will provide you the files with less quality loss, and keep default settings is also a good choice for your to get a high quality files.

Note 2: In order to get customized videos, you can add subtitles to your own videos.

The free Subtitle Edit will help you to edit your own subtitles then put it into videos.

Read More: Subtitle FAQs: Free permanently attach subtitles to videos/movies

Step 5. Click convert button to start converting AVCHD MTS to Prores MOV for Final Cut Pro and Premiere Pro editing.

After the Mac MTS to Prores conversion, you can import the converted footages to FCP and Premiere Pro for editing smoothly on Mac. You’re done! Now you may know how to ingest and edit single .MTS footage in Final Cut Pro and Premiere Pro.

Other related tutorials:

• Convert MTS/M2TS on Windows
• Play AVCHD mts files on QuickTime
• Transcode AVCHD MTS, M2TS, M2T, TS to AIC for importing to iMovie/FCE 4
• Converting MTS files to Edit in Window Movie Maker

Continue reading »]]> Summary: Get the best AVCHD to Final Cut Converter for Mac to encode/recode Sony NEX-FS100 1080 50p/60p AVCHD files to Final Cut Pro 7 or FCP X compatible codec for importing FS100 AVCHD clips to Final Cut Pro 7 without log and transfer on Mac.

Here is a problem from vimeo:

“I bought Sony FS100 in half a month ago and recorded some family videos in my FS100. Now, i am importing some mts files i shoot, but when I go to the log and transfer window some files are not recognized but Final Cut Pro 7. I think they were shot in 1920 (60 fps) Any option how to see them in FCP 7? Thanks”

Sony NEX-FS100 camcorder records AVCHD format video, and it uses MPEG-4 or MPEG-2 codec, this codec is not good for editing in FCP 7, so you will encounter importing and codec problems when you try to import FS100 1080/60p MTS to FCP 7/X or iMovie.

In fact, FCP 7 is not a omnipotent Video Editor, 1080p/50p or 1080p/60p is unsupported in FCP 7 and even the new FCP X, because it is a very non-standard format. Plus, AVCHD is not a good edit format for Final Cut Pro, its best compatible video format is Apple ProRes 422 Codec(*.mov). It means you have to convert Sony FS100 1080/60p AVCHD to ProRes codec no matter for FCP 7 or FCP X first. Use Pavtube Mac MTS/M2TS Converter for best lossless .mts to .mov conversion…(as far as I know) and select destination .mov ProRes 422 for importing Sony FS100 AVCHD footage to FCP without Log and Transfer. That works great for me. Here, I will share my way about how to transcode FS100 recordings to ProRes 422 for FCP 7 or FCP X on your Mac OS X.

Important Notice:

1. If you shoot 30p (or 24p), you won’t have a problem with Log and Transfer.

2. If you are also a FCP X user, before you try to do the conversion, don’t forget to make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

Step 1. Go to download and install Pavtube Sony FS100 AVCHD to FCP Converter for Mac to make the transcoding task without quality loss, which offers you particular Apple ProRes profiles for Final Cut Pro. Then launch the software to import your FS100 AVCHD clips to the professional AVCHD to FCP 7 Converter for Mac.

Step 2. Click on the “Format” box to select “Final Cut Pro > Apple ProRes 422(*.mov)” as the output format. If you want to get the best video quality for editing in FCP 7 or FCP X, you can choose “Final Cut Pro > ProRes 422 (HQ) (*.mov)”.

Step 3. You can click the “Settings” icon to do some audio/video settings before transcoding Sony FS100 1080 50p/60p AVCHD to Apple ProRes MOV. We recommend 1920*1080 as video size and 30fps as video bitrate for easier editing in Final Cut Pro. If you are in PAL(50p) area, you are recommended 25fps as video bitrate.

Step 4. You can edit the MTS video before you convert Sony FS100 AVCHD MTS to ProRes MOV. By clicking “” button, you can trim, crop the video, or add watermark and adjust effect to the videos which you will convert.

De-interlace

By default the HD Video Converter will apply de-interlacing facility to all the MTS clips that are interlaced. If you’re using an older version, just click “Edit” to enter the video editor, switch to “Effect” tab, and check the “Deinterlacing” box. If you’d like to apply de-interlacing effect to all the loaded MTS files, click “Apply to All” before hitting “OK” to confirm.

Trim

Basically, video hosting sites restrict video clips to be in certain file size and length. For instance, YouTube stated that “videos can be up to 2GB in size and 10 minutes long”. You can trim the video to desired length with the Pavtube HD Video Converter. Simply click “Edit” menu > “Trim” tab and set start and end time point.

Merge

To join multiple MTS together, just select them in file list, and tick off the checkbox “Merge into one file” on the main interface.

Step 5. Click the small folder icon next to Output bar to specify a location for saving the converted Sony FS100 MTS files.

Step 6. Click on “Convert” button to start encoding FS100 1080 50p/60p MTS to ProRes 422 mov or ProRes 422 (HQ) mov. The converter supports batch conversion and will convert all the selected files in file list once you click “Convert”. You could select “Shut down computer after conversion” when the progress panel pops up.

After the conversion,  click the “Open” button to locate converted files, then load ProRes .MOV files in FCP 7 or FCP X. Now you can successfully and easily import Sony NEX-FS100 1080 60p/50p MTS footage to FCP 7 or FCP X for editing with best quality.

The steps are finished. Is it easy? Once you have installed the Sony AVCHD to FCP X Converter, you can easily convert Sony FS100 files to FCP 7/X for editing, this software runs fast, so you can convert your FS100 footages to FCP in less time, video and audio synchronization are perfectly guaranteed, and you can use accurate trim function when you edit Sony AVCHD video in the software before conversion.

When the conversion process shows in 100% with the top AVCHD to ProRes Converter Mac, you can edit the converted Sony NEX-FS100 AVCHD videos in FCP 7/FCP X without any problems.

Tips:

1. If you want to import Sony FS100 AVCHD to iMovie or FCE for editing on Mac, only need to change the Step 2: click “Format > iMovie and Final Cut Express > Apple Intermediate Codec (AIC) (*.mov)” as the output format for encoding FS100 AVCHD MTS to AIC MOV for iMovie/FCE editing on Mac, you can view “Convert AVCHD MTS to AIC on Mac“.

2. If you want to  import Sony FS100 AVCHD to Avid Media Composer, only need to change the Step 2: click “Format > Avid Media Composer > Avid DNxHD (*.mov)” as the compatible format for Avid MC, then you can recode Sony NEX-FS100 AVCHD to AIC MOV for editing in Avid Media Composer. In addition, you can also view “Avid Media Composer category“.

3. Learn more at MTS Column.