Continue reading »]]> Summary: Get the best AVCHD to Final Cut Converter for Mac to encode/recode Sony NEX-FS100 1080 50p/60p AVCHD files to Final Cut Pro 7 or FCP X compatible codec for importing FS100 AVCHD clips to Final Cut Pro 7 without log and transfer on Mac.

Here is a problem from vimeo:

“I bought Sony FS100 in half a month ago and recorded some family videos in my FS100. Now, i am importing some mts files i shoot, but when I go to the log and transfer window some files are not recognized but Final Cut Pro 7. I think they were shot in 1920 (60 fps) Any option how to see them in FCP 7? Thanks”

Sony NEX-FS100 camcorder records AVCHD format video, and it uses MPEG-4 or MPEG-2 codec, this codec is not good for editing in FCP 7, so you will encounter importing and codec problems when you try to import FS100 1080/60p MTS to FCP 7/X or iMovie.

In fact, FCP 7 is not a omnipotent Video Editor, 1080p/50p or 1080p/60p is unsupported in FCP 7 and even the new FCP X, because it is a very non-standard format. Plus, AVCHD is not a good edit format for Final Cut Pro, its best compatible video format is Apple ProRes 422 Codec(*.mov). It means you have to convert Sony FS100 1080/60p AVCHD to ProRes codec no matter for FCP 7 or FCP X first. Use Pavtube Mac MTS/M2TS Converter for best lossless .mts to .mov conversion…(as far as I know) and select destination .mov ProRes 422 for importing Sony FS100 AVCHD footage to FCP without Log and Transfer. That works great for me. Here, I will share my way about how to transcode FS100 recordings to ProRes 422 for FCP 7 or FCP X on your Mac OS X.

Important Notice:

1. If you shoot 30p (or 24p), you won’t have a problem with Log and Transfer.

2. If you are also a FCP X user, before you try to do the conversion, don’t forget to make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

Step 1. Go to download and install Pavtube Sony FS100 AVCHD to FCP Converter for Mac to make the transcoding task without quality loss, which offers you particular Apple ProRes profiles for Final Cut Pro. Then launch the software to import your FS100 AVCHD clips to the professional AVCHD to FCP 7 Converter for Mac.

Step 2. Click on the “Format” box to select “Final Cut Pro > Apple ProRes 422(*.mov)” as the output format. If you want to get the best video quality for editing in FCP 7 or FCP X, you can choose “Final Cut Pro > ProRes 422 (HQ) (*.mov)”.

Step 3. You can click the “Settings” icon to do some audio/video settings before transcoding Sony FS100 1080 50p/60p AVCHD to Apple ProRes MOV. We recommend 1920*1080 as video size and 30fps as video bitrate for easier editing in Final Cut Pro. If you are in PAL(50p) area, you are recommended 25fps as video bitrate.

Step 4. You can edit the MTS video before you convert Sony FS100 AVCHD MTS to ProRes MOV. By clicking “” button, you can trim, crop the video, or add watermark and adjust effect to the videos which you will convert.

De-interlace

By default the HD Video Converter will apply de-interlacing facility to all the MTS clips that are interlaced. If you’re using an older version, just click “Edit” to enter the video editor, switch to “Effect” tab, and check the “Deinterlacing” box. If you’d like to apply de-interlacing effect to all the loaded MTS files, click “Apply to All” before hitting “OK” to confirm.

Trim

Basically, video hosting sites restrict video clips to be in certain file size and length. For instance, YouTube stated that “videos can be up to 2GB in size and 10 minutes long”. You can trim the video to desired length with the Pavtube HD Video Converter. Simply click “Edit” menu > “Trim” tab and set start and end time point.

Merge

To join multiple MTS together, just select them in file list, and tick off the checkbox “Merge into one file” on the main interface.

Step 5. Click the small folder icon next to Output bar to specify a location for saving the converted Sony FS100 MTS files.

Step 6. Click on “Convert” button to start encoding FS100 1080 50p/60p MTS to ProRes 422 mov or ProRes 422 (HQ) mov. The converter supports batch conversion and will convert all the selected files in file list once you click “Convert”. You could select “Shut down computer after conversion” when the progress panel pops up.

After the conversion,  click the “Open” button to locate converted files, then load ProRes .MOV files in FCP 7 or FCP X. Now you can successfully and easily import Sony NEX-FS100 1080 60p/50p MTS footage to FCP 7 or FCP X for editing with best quality.

The steps are finished. Is it easy? Once you have installed the Sony AVCHD to FCP X Converter, you can easily convert Sony FS100 files to FCP 7/X for editing, this software runs fast, so you can convert your FS100 footages to FCP in less time, video and audio synchronization are perfectly guaranteed, and you can use accurate trim function when you edit Sony AVCHD video in the software before conversion.

When the conversion process shows in 100% with the top AVCHD to ProRes Converter Mac, you can edit the converted Sony NEX-FS100 AVCHD videos in FCP 7/FCP X without any problems.

Tips:

1. If you want to import Sony FS100 AVCHD to iMovie or FCE for editing on Mac, only need to change the Step 2: click “Format > iMovie and Final Cut Express > Apple Intermediate Codec (AIC) (*.mov)” as the output format for encoding FS100 AVCHD MTS to AIC MOV for iMovie/FCE editing on Mac, you can view “Convert AVCHD MTS to AIC on Mac“.

2. If you want to  import Sony FS100 AVCHD to Avid Media Composer, only need to change the Step 2: click “Format > Avid Media Composer > Avid DNxHD (*.mov)” as the compatible format for Avid MC, then you can recode Sony NEX-FS100 AVCHD to AIC MOV for editing in Avid Media Composer. In addition, you can also view “Avid Media Composer category“.

3. Learn more at MTS Column.

Continue reading »]]> Summary: Problem for import AVCHD MTS from Panasonic, Sony, Canon cameras to Final Cut Pro 6/7/X editing on Mac:

Problem 1: Importing MTS files into FCP 7

I’ve just bought FCP 7 and I have a lot of rushes on an external drive that are AVCHD with the .MTS on the end of each file. I’ve just tried to import the MTS files into the project but it won’t recognize them and I can’t see AVCHD in any of the settings.

I bought the upgrade just for this reason as I was told that 7 handles the AVCHD codec. Any tips? The footage is no longer on the camera by the way.

Problem 2: .MTS files in FCP 7

I’ve created a timeline in FCP7. Most clips are from my Panasonic HMC150, with .mov files captured as ProRes422. However, a buddy also filmed the event with a couple of HiDef Canon cameras with files that capture as .MTS Well, FCP7 doesn’t seem to recognize .MTS files. What software do you use to convert .MTS to ProRes 422? Thanks for your help!

Problem 3: How to import MTS files in Final Cut Pro 6?

Hello we captured footage with the Canon HF20 Hi-Def Camcorder, transfered the video files onto an external drive. We’re now trying to import those MTS files into Final Cut Pro 6.0.5 but it seems they are not supported… how do you import them?

Problem 4: Cannot Ingest AVCHD .MTS files in FCP 7

I am trying to Ingest .mts files into Final Cut Pro 7.

I dragged all of the files from an SD card onto one of my External Hard Drives.

I open up Final Cut Pro 7, Go to Log and Transfer, Navigate to the AVCHD folder then to the BDMV folder then finally to the STREAM folder. In the STREAM folder sits all of the .mts files. They are all greyed out and I cannot Ingest them. They will not add to the Log and Transfer Window in FCP 7.

What am I doing wrong? How can I Ingest these files into FCP 7 so I can edit with them?

Thanks in Advance.

……

In addition, I also found a lot Problem about “How to importing/editing AVCHD MTS to Final Cut Pro” by Google. For example:

– Some videos are not imported to FCP

– FCP X quits/crash/not respond

– A long time transcoding when importing AVCHD to FCP 7

– MTS files without AVCHD structure could not be imported to FCP

– Can FCP ingest 1080 60p 50p AVCHD videos?

– Is there any way to avoid rendering?

– How to convert AVCHD MTS/M2TS to FCP native ProRes?

…..

Best Solution:

Transcoding AVCHD MTS to Apple Prores  (which is native formats for Final Cut Pro encoded .mov format) along with some help from the third-party software.

Required Software:

Free Download Mac AVCHD to FCP Converter

Why choose the professional Pavtube AVCHD to FCP Converter for Mac users?

1. FCP 6/7 can’t very well work in Panasonic, Sony, Canon, JVC etc. cameras  recording .mts files with H.264, MPEG, MPEG-2 codec etc. and video playing is not smooth. But the professional Mac AVCHD to FCP Converter can import various format, such as:

2. Final Cut Pro can only support under 30 frame rate.

3. FCP only support into the whole folder, does not support into a single. MTS file, That means you should keep the BDMV folder within the AVCHD folder. The files shall include .cpi, .mpl, .mts or .m2ts. This will lead to software collapse, crash etc. However, Pavtube Mac AVCHD to FCP Converter can be. Below is the folder structure of the AVCHD videos on camcorder memory card.

4. This MTS Converter for Mac is a professional AVCHD to ProRes Converter on Mac Lion 10.5/10.6/10.7/10.8.

– Easy to use with fast conversion

– Output best HD quality for you with ProRes Codec that fits for Final Cut Pro well and saving rendering time, also keep original multiple audio tracks

– Provide simple video editing functions

Besides, it can work with HD videos from HD camcorders or DVs (like JVC, Panasonic, Sony, Cannon etc.) for editing in Final Cut Pro X, Final Cut Pro, Final Cut Express, iMovie, Avid Media Composer etc. Mac editing software.

Guide: Transcode AVCHD MTS files from cameras to Apple ProRes MOV for FCP 6/7/X editing on Mac

It’s considerate allowing you to directly drag and drop your camera files into the Mac app for start your MTS to FCP conversion. And also, you can click “File” or “” menu and then choose “Add Video/Audio”. If you have several MTS files and wanna merge them into one for getting a continuous file, you can check “Merge into One File” down the bottom of the main interface of the Mac AVCHD to Final Cut Pro converter.

For the sake of saving your time, the MTS to FCP application provides an optimized preset for Final Cut Pro so that you can directly choose it under “Format > Final Cut Pro > Apple ProRes 422 (*.mov)” section as your output format. In addition, the smart program even offers you some helpful but easy-to-use edit functions which enable you to crop the black edge, rotate, adjust the brightness or apply cool effects to your video files.

“Settings” – click to set video resolution (1920×1080/1440×1080/1280×720/720×480), bitrate (from 1Mbps to 20Mbp) frame rate (24p/30p)

Press “Converter” and then the rest would be accomplished automatically. The Mac app works fine on Supported OS: Mac OS X Leopard (10.5), Snow Leopard (10.6), Lion (10.7), Mountain Lion (10.8).

So there you have it. Pretty simple. After the workflow, you can go to the output folder to find the converted video files. Now you are free to import and edit AVCHD files from cameras in Final Cut Pro 6/7/X under Mac without problems.

To learn more conversion solutions for AVCHD MTS files recorded by Canon, Panasonic, Sony cameras, you are recommended to visit MTS Column or FCP Column page.

Happy Every Day!