Oct 03
Summary: Get the best AVCHD to Final Cut Converter for Mac to encode/recode Sony NEX-FS100 1080 50p/60p AVCHD files to Final Cut Pro 7 or FCP X compatible codec for importing FS100 AVCHD clips to Final Cut Pro 7 without log and transfer on Mac. Here is a problem from vimeo: “I bought Sony FS100 …
Oct 02
Summary: The video from Panasonic AG-HPX250/HPX255 P2 card is in MXF format, and it will not be supported by FCP X. It means that you will not import P2 to Final Cut Pro X. So you will need a P2 MXF converter for Mac, transcoding P2 MXF to ProRes 422 so that it will be …
Oct 02
Summary: How to solve Final Cut Pro (X) importing Panasonic AG-HPX600 P2 MXF footage without rendering on Mac via P2 MXF to FCP X Converter for Mac? The AG-HPX600 is the first model to offer expandability to Panasonic’s new AVC-ULTRA Series of professional codecs. Accommodating a variety of interchangeable lenses, this 2/3-type shoulder-type model has …
Sep 29
Summary: How to convert Canon PowerShot SX500/SX160 IS footage (h.264 .mov) to Apple ProRes 422 codec so as to avoid rendering process in Final Cut Pro X or FCP 6/7, a professional Canon footage to FCP X Converter can do it. Please read the following articles. “I have been editing a feature film which uses …
Sep 28
Though Apple claims Final Cut Pro X “a revolutionary new version of the world’s most popular Pro video editing software”, we see more negative reviews than positive ones since the release of Final Cut Pro X version 1.0. There has been a ton of complaints regarding Final Cut Pro X. It has been accused of …
Sep 28
Q1: “I may have a certain idea on this, but would love to have a detailed guidance from experts. all from scratch. i’ve been asked to shoot a video on Sony PMW EX3 in a couple of weeks’ time. i’ll have to travel to a different country for that, and on location i will only …
Sep 28
The Apple ProRes format comes in five versions: Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes 422 (LT), and Apple ProRes 422 (Proxy). The following list describes the features of each version. For a complete comparison of the relative data rates of the Apple ProRes codecs, see Apple ProRes Format Specifications. …
Sep 28
With the Apple ProRes format, you can work in a wide variety of frame sizes, frame rates, bit depths, and even color sample ratios. Frame Dimensions Supported in Final Cut Pro with Real-Time Playback Although the Apple ProRes format itself supports virtually any frame size, the Final Cut Pro RT Extreme real‑time effects architecture supports …
Sep 26
Forget all the rumors and speculation about Final Cut Pro X, Creative Cow Contributing Editor David Roth Weiss delivers nothing but facts as he guides you through the steps necessary to partition your Mac system drive with a cool multi-boot setup that will allow you to easily and efficiently switch back and forth between different …
Sep 20
XDCAM XDCAM, introduced by Sony in 2003, has four different products lines – the XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422, which differ in encoder, frame size, container and recording media. Designed for heavy-duty field acquisition, Sony XDCAM camcorders provide the excellent picture quality, operability and reliability. Besides that, Sony XDCAM camcorders offer …
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